Susanna’s response is uncommonly central to the painting, demonstrating Gentileschi’s unprecedented psychological realism, particularly in her presentation of women. His work is typified on this triptych, combining the artist’s signature avatar Mr. DOB, who sits centrally poised and tragically laughing. 727 is a reference to the Boeing American airplanes that flew over Murakami’s childhood residence while heading to U.S. navy bases, a direct nod to the U.S. presence in post-WWII Japan that he often revisits in his art. Through this type of work, he crafts a delicate critique of Japan’s contemporary consciousness in addition to the West’s intruding influence upon it.
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